STRAVINSKY, SCHUBERT AND BEETHOVEN - MASTERPIECES FOR VIOLIN AND PIANO (CONCERT)

Jimmy Park, violin

Alexander Yau, piano

Wesley Music Centre, Forrest, February 28

 

Reviewed by Len Power

Showcasing masterpieces that embody the notion of a duo proved to be a very good idea for this pair of musicians, one on piano and the other on violin. They showed beyond doubt that they can play as one with three distinctive works by Stravinsky, Schubert and Beethoven.

Returning home for this special performance, Jimmy Park (violin) is currently undertaking post-master’s studies at the Mozarteum University in Salzburg. Alexander Yau, a Juilliard School graduate, is currently Associate Lecturer at the Sydney Conservatorium of Music.

They commenced their program with Igor Stravinsky’s Divertimento, originally written for the ballet in 1928 and arranged for violin and piano in 1932. This work is colourful, rhythmic and playful with an underlying tension. Yau and Park gave it a fine performance, clearly bringing out all the distinct characteristics of Stravinsky’s work.

The next item was Franz Schubert’s 1826 Rondo in B minor. This work is both highly energetic as well as lyrical, challenging players both technically and interpretively. Their performance was exciting and well-controlled throughout.

Jimmy Park, violin and Alexander Yau, piano

The final work of the program was Ludwig van Beethoven’s 1803 Sonata No. 9 in A – the Kreuzer.  This major work in three movements has a reputation for technical difficulty in performance, requiring the ability to achieve a wide range of emotion in the music. The performers met that challenge superbly, especially with their electrifying playing of the exuberant third movement.

These works may have tested the performers, but both appeared relaxed and you could sense that they were thoroughly enjoying playing together.

To end this concert of highly emotional music, the performers gave a calming encore of the sweetly romantic Liebeslied by Fritz Kreisler.

 

Photos by Dalice Trost

 

This review was first published by Canberra CityNews digital edition on 1 March 2026.

Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs.

  

CANBERRA CABARET FESTIVAL (CABARET)

 

DNA The Cabaret performed by Janie Lawson

Dave 101 performed by Dave Collins

ACT Hub Theatre, Kingston 21 February

 

Reviewed by Len Power

 

There was a huge buzz of anticipation in the full house at the ACT Hub Theatre for the two performers on the evening’s bill for the Canberra Cabaret Festival. Both performers exceeded their audience’s expectations, providing a highly entertaining evening of personal revelations and good music.

The first performer, Janie Lawson, presented DNA The Cabaret: A journey of identity, discovery, and new beginnings. Accompanied by Callum Tolhurst-Close on keyboard, Lawson began her show with a fine version of The Skye Boat Song. This journey song set the scene for her story of an unexpected discovery about her family background.

Janie Lawson

Choosing popular, theatre and film songs that provided emotional highlights for her story, Lawson provided intimate insights into her character as she related this compelling journey of discovery. Concluding with a rousing version of I Am What I Am from the musical La Cage Aux Folles, Lawson made the song a triumphant and emotional climax for both her personal journey and her show.

Lawson has been entertaining audiences for more than 30 years, having performed in musicals, plays, cabarets, and corporate events locally, interstate and in the USA. She has most recently appeared as Maureen in Free Rain’s Beauty Queen of Leenane, Marion Woolnough in The Boy From Oz and Mrs Wilkinson in Billy Elliot.

Dave Collins

For his show, Dave Collins presented Dave 101: An Introduction to Poor Life Choices. Choosing chapters from the book of his life so far, Collins provided a comedic look at incidents and missteps where hindsight has become a wonderful thing.

His very human and at times courageous insights were highlighted with a number of popular and theatre songs which displayed his powerful vocal ability. He was joined for well-chosen and performed individual duets by friends and guest performers Kara Murphy, Amelia Andersson-Nickson and Louiza Blomfield.

Collins is a Canberra and Sydney based singer/actor and musician, with a career spanning across television, stage, pantomime, big‑band leading, corporate events, and a broad range of musical theatre productions from local to international. He is currently the Lead Male Vocalist for Spectrum Big Band, performing at various corporate and public events across the Canberra region.

 

Photos by Photox – Ben Appleton

This review was first published by Canberra CityNews digital edition on 22 February 2026.

Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs.

 

BEDROOM FARCE (PLAY)

 

Written by Alan Ayckbourn

Directed by Aarne Neeme

Canberra REP production

Canberra REP Theatre, Acton to 7 March

 

Reviewed by Len Power 20 February 2026

 

Alan Ayckbourn’s ‘Bedroom Farce’ was first performed in 1975 at the height of his most successful period of commercial success in England. He has written over 90 plays of which more than 40 have been produced in London’s West End.

In the play, three very different couples are seen in their bedrooms on a particular evening – an elderly couple preparing to go to their wedding anniversary dinner at a favourite restaurant, a couple who enjoy practical jokes preparing to host a party and a third couple who have been invited to that party but only the wife can attend because her husband is in bed with a bad back. A fourth unhappily married young couple also invited to the party will create a night of memorable chaos involving all three of those couples.

This play shows Ayckbourn at his best, commenting on the foibles of human behaviour and marriage in a very recognizable way. We all know people like this. Director, Aarne Neeme has ensured that the individual characters of the play are grounded in reality, allowing the humour to flow naturally.

Pat Gallagher (Ernest) and Sally Reinveld (Delia)

There is fine work from each of the performers. Pat Gallagher and Sally Rynveld are very effective as a couple who have been together for a long time and are aware of each other’s faults while managing to remain close. Rob de Fries and Azerie Cromhout are very funny as a couple where he is unwell and needy while she is not as sympathetic as he would like.

Rob de Fries (Nick) and James Grudnoff (Trevor)

Lachlan Abrahams and Antonia Kitzel deftly capture the fun of a practical joking couple as well as their growing frustration as their evening is ruined. James Grudnoff and Lara Connolly give fine characterizations of a warring married couple who go through life selfishly unaware of their impact on others.

Antonia Kitzel (Kate) and Lachlan Abrahams (Malcolm)

Andrew Kay’s striking set design of three bedrooms side by side cleverly shows aspects of each of the characters and the costume designs by Cate Clelland suit each of the characters perfectly.

This is a very funny play about recognizable married couples which has not dated at all. You might even see yourselves on that stage.

Photos by Cathy Breen

Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs and published in his blog 'Just Power Writing' at https://justpowerwriting.blogspot.com/.