Written and performed by Heather Massie
Directed by Blake Walton & Leslie Kincaid Burby
The Street Theatre August 31
Reviewed by Len Power
The thought of Hedy Lamarr conjures up an image of a
glamorous movie star of the 1940s and ’50s. Born in Austria, she began her film
career in Czechoslovakia. Her performance in a controversial 1933 erotic
romantic drama, Ecstasy, led to a film career in Hollywood where she became a
star in the 1938 romantic drama, Algiers, with Charles Boyer.
Many other successful films followed, and she is probably
best known for her performance as Delilah in Cecil B. DeMille’s 1949 religious
epic, Samson and Delilah.
Lamarr was more than just a successful, glamorous actress.
At the start of World War 2, she co-invented, with George Antheil, a radio
guidance system for Allied torpedoes that could defeat the threat of radio
jamming by the Axis powers. Although granted a patent for their invention in
1942, Lamarr was told her time could be better spent selling war bonds as she
was a celebrity. The technology was not used until after the war and then
independently of their patent.
The play, Hedy!, begins with film and images projected on a
screen showing the glamour of the woman once promoted as “the most beautiful
woman in the world”. Some of those images show her, ironically, in seductive
poses with military hardware, including torpedoes.
 |
| Heather Massie as Hedy Lamarr |
The writer, Heather Massie, also plays the actress in this
one person show. She looks extraordinarily like Lamarr and, as the character, realizing
she has somehow time-warped into Canberra, she creates an immediate and
charming rapport with individuals in the audience.
The play is cleverly written, directed and performed very
well. It runs nearly two hours without a break and the story of this woman’s
life is constantly entertaining.
As Lamarr, she tells the story of her life from her
childhood in Austria, her film career in Europe and the USA, her many
marriages, inventions and later life. Her colourful story is fascinating and
told very well by Massie, who also convincingly takes on the voices of other characters
in her story like actors, Charles Boyer and George Sanders and actress, Bette
Davis, her husbands and acquaintances.
While her Hollywood film career is an interesting story, it
is her work as an inventor that becomes the most interesting and unique aspect
of the play. At one point, Lamarr remembers the difficulty getting influential
people in that male-dominated era to listen to her ideas. One wonders what she
could have been capable of in a more accepting time.
Lamarr never made money from her patent, giving it to the US
Navy in wartime to help defeat the Nazis. These days as we reach for our mobile
phones, we don’t realize how much current technology owes to her invention. Her
contributions as an inventor were eventually recognised but not until the 1990s,
shortly before her death in 2000.
Massie’s performance as Lamarr is magical. She commands the
stage with her personalised story of this gifted woman who achieved fame as
both a glamorous actress and inventor.
This review was first published by Canberra CityNews
digital edition on 1 September 2024.
Len Power's reviews are also broadcast on Artsound FM
92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs.
