Music by Claude-Michel Schönberg, lyrics by Alain Boublil
and Jean-Marc Natel
Book by Boublil and Schönberg
Based on the novel by Victor Hugo
Directed by Dale Rheynolds
Musical Director: Brigid Cummins
Conductor: Jen Hinton
Movement director: Belinda Hassall
Queanbeyan Players production
The Q, Queanbeyan to 6 June
Reviewed by Len Power 22 May 2026
The world-wide phenomenon that is the musical ‘Les Miserables’
is back! Queanbeyan Players have mounted a production that shows why this epic
sung-through musical is so popular and admired.
Victor Hugo’s story, written in 1862, is set in early 19th Century in France. Jean Valjean, who spent 19 years in prison for stealing a loaf of bread, breaks his parole and disappears. He strives to seek redemption over the following decades by living a blameless life and helping others while being pursued by an obsessive police inspector, Javert, who asserts that Valjean’s re-capture is a necessary ‘justice’. The characters are swept up in a revolutionary period where a group of young idealists attempt to overthrow the Government at a street barricade in Paris.
This production has been very well-directed by Dale Rheynolds. Particular attention has been given to ensure that each of the many characters are real people with emotions and motivations that we can relate to.
 |
| Dave Smith (Jean Valjean) |
Outstanding in the cast is Dave Smith in the huge role of Jean Valjean, the ex-convict. Smith plays him with a moving strength and emotion that is always valid and believable. He owns this role with his performance and fine singing. His performances of the songs, ‘What Have I Done?’, ‘Who Am I?’ and ‘Bring Home Home’ are expertly sung.
Max Gambale, as Javert, the police inspector, gives an equally fine performance. Gambale uses his commanding presence and strong vocal gifts to give a truly threatening performance. His performance of ‘Stars’ and his final song in the show are two of the many highlights in this production.
 |
| Sophie Hope-White (Cosette) and Alexander Unikowski (Marius) |
There are so many excellent performances in this show, all with strong characterizations and fine singing. Particularly memorable are Alexander Unikowski as Marius with his song, ‘Empty Chairs and Empty Tables’ and ‘A Heart Fall of Love’, his duet with a luminous Sophie Hope-White as Cosette, Jess Waterhouse as Fantine with a heart-breaking ‘I Dreamed A Dream’, India Cornwell’s touching Eponine with ‘On My Own’ and her death scene with Marius, Greg Sollis and Tina Robinson as the evil and oily Thenardiers with ‘Master Of the House’ and William Allington as the revolutionary Enjolras leading the rousing ‘One Day More’.
 |
| William Allington (Enjolras) |
There are also fine performances, full of character, by Matilda Hutchison as the young Cosette, Hanna O’Keeffe as the young Eponine, Harlan Blazeski as the young Gavroche and Ricky Best as the Urchin. These roles demand a lot from young performers but all four shone in their roles. They will alternate with other young performers in subsequent performances of the show.
The large chorus sang magnificently and displayed individual characterizations that added considerable depth to the show. The scenes involving movement were well-designed by choreographer, Belinda Hassall.
The musical direction by Brigid Cummins has prepared the cast very well for the huge amount of singing in the show. Conductor, Jen Hinton, and her orchestra performed the epic score superbly.
This is a huge production involving many people onstage and off. Bringing it all together is director, Dale Rheynolds, who has done an excellent job recreating this much-loved story. It’s a long show, but highly rewarding, and Queanbeyan Players can be justly proud of this one.
Photos by Ben Appleton - Photox
Len Power's reviews are also broadcast on Artsound FM 92.7 in the ‘Arts Cafe’ and ‘Arts About’ programs.
