Written by Margaret Atwood
Directed by Kate Blackhurst
A Crouching Giraffe/Papermoon Theatre production
The Courtyard, Canberra Theatre Centre to 17 July
Reviewed by Len Power 9 July 2021
We know the story of Odysseus, king of Ithaca, and his heroic exploits from Homer’s epic poem, ‘The Odyssey’. After fighting in the ten year long Trojan War, it took him another ten years to journey home. In the meantime, his wife, Penelope, with the support of her handmaidens and her son, Telemachus, were staying one step ahead of a group of suitors for Penelope’s hand in marriage.
While Odysseus has always been centre stage in this story, Margaret Atwood’s play focusses on what might have been going on back home during Penelope’s long wait for her husband. At the start of the play, Penelope is already dead, so she is relating her story directly to us from Hades. How much of her story is filtered through her memory and how much is Atwood’s artistic licence is up to us to decide.
Using elements of traditional style from Greek tragedy plays, Atwood’s contemporary language and flashes of modern humour keep it accessible for today’s audiences.
Performed by thirteen women, the central character of Penelope is surrounded by twelve handmaidens. The male suitors and other male characters, including Odysseus and Telemachus, are also performed by the actresses playing the handmaidens.
 |
| Elaine Noone as Penelope |
Elaine Noone gives a fine central performance as Penelope growing from a young, inexperienced 15 year old to an elderly woman who learns over time to use her wits to survive.
The handmaidens are played by a number of well-known Canberra actresses who all give strong, individualistic performances. As well as their individual characters, they are also the Greek Chorus of the play, performing the chanting, singing and dancing very well.
 |
| Elaine Noone and Company |
The attractive and clever set design by Cate Clelland and the level of detail in the costumes designed by Annie Kay add considerably to the atmosphere of this production, as does the choreography by Brooke Thomas.
The original music in different styles by Glenn Gore Phillips to Margaret Atwood’s lyrics is especially fine and quite appealing. It is well sung by the cast, including some pleasing harmonies.
Director, Kate Blackhurst, has produced a visually striking, uniquely stylised and thought-provoking production that succeeds on all levels. It’s also very entertaining.
Photos by Pat Gallagher
Len Power’s reviews are also broadcast on the Artsound FM 92.7 ‘In the Foyer’ program on Mondays and Wednesdays at 3.30pm.
